中失英语怎么说

admin2024年12月16日中英词典4130

本文为您带来中失的英文翻译,包括中失用英语怎么说,中失用英语怎么说,中失的英语造句,中失的英文原声例

本文为您带来中失的英文翻译,包括中失用英语怎么说中失用英语怎么说中失的英语造句中失的英文原声例句中失的相关英语短语等内容。

中失的英文翻译,中失的英语怎么说?

  • 中失

  • Lost in the

  • 以上为机器翻译结果,长、整句建议使用 人工翻译 。

中失的英语网络释义

中失的汉英大词典

中失的英语短语

  • 在竞选中失利to lose the election

  • 行动中失踪MIAMissing In Action

  • 在困境中失去你lost in tight

  • 举动中失落MIAMissing In Action

  • 战斗中失踪Missing in Action

  • 集中失火报警设备centralized fire alarm equipment

  • 脑卒中失语抑郁量表SADQ;The Stroke Aphasic Depression Questionnaire

  • 战斗任务中失踪Missing In Action;MIA

  • 空中失能[生理]inflight incapacitation

中失的英文例句

在郁闭林分中失叶量25%达到经济阈值。

On the contrary, the amount of defoliation of 25% reach the ElL.

上个赛季,我们在很多重要的比赛中失分,而这个赛季,我们更加有经验。

Last season we lost some big games, and this season we are more experienced.

和曼联同样取得平局后,我们再次需要他们在两场比赛分才有望后来居上。

Having matched Man United's result, we again require them to drop points in two games.

今天有许多丧的人,他们是在罪丧;他们没有基督,在毫无指望和黑暗的人生丧。

So many people are lost today-lost in sin, lost in the hopelessness and darkness of a life without Christ.

29岁的埃斯特·沃吉尔是荷兰轮椅网球选手。自2003年1月起,她就从未在单打比赛过手。

Esther Vergeer, a 29-year-old Dutch wheelchair tennis player, has not lost a singles match since January 2003.

一名正在战争走了四名兄弟的男子正在描绘他身边的景象时这样说到:“这曾是我生命大多光的战场,如今我们希瞧”。

One man who lost four of his brothers at war summed up the scene around him: "This was a battlefield for most of my life," he said. "Now we want to be free."

你认为我们的哪一个会在这个游戏表现得更加患得患呢?

Who do you think is going to play more conservatively in this game of poker?

虽然这种说法具有一定的概念逻辑,但在现实这样做往往会得不偿

Although there is a conceptual logic to this, in reality you usually lose more than you gain.

因此,在函数使用非易性寄存器之前,它的值必须保存到该函数的堆栈帧,然后在函数返回之前恢复。

Therefore, before using a non-volatile register in a function, its value must be saved in the function's stack frame, and then restored before the function returns.

迪谢纳博士说:“正如人们所想,声音认在电话交流是最麻烦的事情,因为电话谈话变成了唯一的线索。”

Dr Duchaine said: "As you'd expect, voice agnosia is most troubling on the telephone when the only other clue available is the conversation."

大多数人通常会保留 10%的表空间用作空闲空间,但在高易性的应用程序,这个比例会更高。

Most folks typically reserve 10 percent of the total table space as free space, but you will often see more with highly volatile applications.

菲舍认为,这表示受访者们正在从他们过去的恋爱经历吸取教训,评估他们的得与,并且最终知道,如何处理这种情况。

This suggests participants were learning from their past romantic experience, evaluating their gains and losses and figuring out how to deal with the situation, Fisher said.

李娜在第一局比赛不敌对手,而进入第二局赛点时,则进入佳境,挽回分,并最终赢得第二局比赛。

In the second set, she lost the first set. Match point in the second set, came back and save that, then won that second set.

在现代计算机,这些指令被存储在一块被称为“非易性”存储器上,而这块存储器属于处理器本身的一部分。

In a modern computer, these instructions are held in a so-called non-volatile memory that is part of the processor itself.

威尔士随后掌握主动,球队队长和场悍将特里·约拉斯和七个月以来首次出战的托沙克在进攻活灵活现,但屡良机。

Wales then took control, Terry Yorath the captain and enforcer in midfield, John Toshack - in his first game for seven months - impressing in attack.

尽管在本届世界杯上,特雷泽盖的表现让人望,且在法国队与意大利队的决赛了关键的一粒点球。

The Frenchman had a disappointing World Cup and missed the vital spot-kick in the penalty shoot-out with Italy in the final.

但是他把了手,把烧杯的致命药水溅到了脚上,把肉和鞋都腐蚀掉了。

But you see, he slipped and the beaker of this deadly potion fell upon his foot, destroying the flesh and the shoe itself.

在用文章的原词把答案填写到答题纸上的时候要当心,如果拼写错误将会导致分。

Take care when you need to copy a word or words from the text onto your Answer Sheet. Copying incorrectly will lead to loss of marks.

此前有报道称,诺兰在拍摄《盗梦空间》时要求尽可能少用电脑特效,不遗余力地苛求每个细节以达到万无一的境界,哪怕在最匪夷所思、不合逻辑的场景

Nolan, who reportedly used as few computer effects as possible while shooting "Inception," spares no detail for a movie in which there are no accidents, even in the most irrational non sequiturs.

浏览者点击后会被记录到一个名为“万无一”的文档,试图给人以安慰。

Readers who click through are taken to a document that is comfortingly entitled “Belt and Braces”.

你对肖像照的软焦背景处理是对的,大多数情形下这是突出主体,并避免多余背景干扰的好方法。

You're right about the soft blurry backgrounds in portraits - in most cases they are a great way to highlight your main subject and get rid of any distractions in the background.

完成最初6周治疗前,16名患者(15%)从研究,全部四组比例一致。

Before completing the initial six-week treatment, 16 (15 percent) of the patients dropped out of the study in similar proportions in all four groups.

无论怎样,国在拯救欧元区行动扮演更重要的角色,得大于

Whatever its hold-ups, China has more to gain than lose by playing a bigger role in the euro zone's rescue.

由于伊拉克完全能的司法系统,上述的后者显得格外棘手。

The last is especially tricky, given Iraq's dysfunctional justice system.

“我全身心地投入到救灾工作,”他说:“这有助于我缓解妻之痛。”

"I threw myself into relief work," he says. "It helped me to bear my loss."

在我的职业生涯,投9000多球,输掉了差不多300多场比赛。

I've missed more than 9,000 shots in my career. I've lost almost 300 games.

在我的职业生涯,投9000多球,输掉了差不多300多场比赛。

I've missed more than 9,000 shots in my career. I've lost almost 300 games.

中失的原声例句

This is where Milton began to consider the problem of temptation that, of course, will become so important to Paradise Lost.

正是从这里弥尔顿开始思考诱惑的问题,当然,诱惑的问题在《乐园》变得十分重要。

You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.

在大诗人约翰·德莱顿所写的,押韵版的《乐园》能很明显看到,这孤联诗句的机制。

We will see Milton returning to all of these questions in Paradise Lost.

我们会看到弥尔顿又在乐园回到这些问题上来了。

This is one of the primary strategies that Milton develops, especially in the first two books of Paradise Lost, as a kind of defense against his dependence on classical literature.

这是弥尔顿发展出的早期策略之一,尤其是在《乐园》的前两册书,这似乎是在反驳他对古典文学的依赖。

There are some important signs, I think, especially in the first two books of Paradise Lost of what we can think of as Milton's - it's a literary fantasy, a literary fantasy of forgetfulness.

我认为有一些重要的迹象,尤其是在,《乐园》的前两册书,从那里我们可以思考弥尔顿之所想,这是一次对于遗忘的文学幻想。

This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."

这对弥尔顿来说是至关重要的,在《乐园》有一个让人印象深刻的片段-,如果你们读过那首诗也许还记得-,那是一首赞美诗,以“致敬,已婚的爱情“开头“

She's alluding here, I think, to one of the most famous passages in Paradise Lost in which Milton is asserting nothing other than his poetic power.

我认为,她这里是在暗指,《乐园》最著名的篇章之一,在这篇章弥尔顿仅仅是在展示他诗句的力量。

You actually have the word "first" appearing six times in the first thirty-three lines of Paradise Lost.

初/先“一词在《乐园》的,头33行就出现了6次。

The great Milton, a grave author, brings in Adam thus speaking to Eve in Paradise Lost , "Oh, fairest of creation, last and best of all God's works."

伟大的弥尔顿,严肃的作家,在《乐园》,让亚当对夏娃如是说,“哦,最美丽的生物,上帝最后却是最好的作品“

Let's look at the first appearance of Mammon in Paradise Lost.

请看在《乐园》贪欲之神第一次出现的地方。

It also provides Milton with the figure of Mammon who will, as you will see over the course of this semester become - well, here in Paradise Lost he's one of the key fallen angels in Milton's hell.

它也为弥尔顿提供了贪欲之神这一形象,正如在本学期这一门课你们将始终看到的,贪欲之神,在《乐园》会变成,弥尔顿地狱主要的堕落天使之一。

Now you'll remember from our discussion of the opening invocation to Paradise Lost, that insistent bid that Milton was making: the bid to be first.

现在从我们对乐园开篇,的讨论可以得知,弥尔顿一直坚持的是:,敢为天下先。

You just have to extend for a little bit this Pauline philosophy of freedom to the situation of the unfallen Eden of Adam and Eve to see a kind oflogical trouble that Milton is getting himself in to.

你只是不得不扩展一点彼得的哲学,自由在亚当和夏娃永不坠落的乐园的情况,似乎有一点逻辑问题,弥尔顿把自己绕了进去。

This is exactly, of course, what he will do in Paradise Lost.

将天堂物化正是弥尔顿在《乐园》所做的。

Milton, in fact, soon goes on in Paradise Lost - right after this very passage that she cites, Milton the narrator berates Adam for his overvaluation of his wife through the character of the Archangel Raphael.

实际上,弥尔顿紧接着就在《乐园》,-紧接着恰德莱引用的这一段后面,米尔顿这个叙事者通过大天使拉斐尔这个角色,批评了亚当,批评他高估了他妻子的地位。

My guess is that our sense of Milton's power, however that power is imagined, is intimately related to the way in which Milton himself represents power in the characters of Satan and of God in Paradise Lost.

我猜我们对弥尔顿力量的理解,不管我们如何想象这力量,与弥尔顿在《乐园》所写撒旦和上帝两角色对,力量的展方式切密切相关。

That was supposed to be a tragedy that, in some manuscript drafts that we still have today -- in some manuscript drafts, he titled this prospective tragedy Paradise Lost and in other drafts Adam Unparadised.

他打算写一部悲剧,在一些目前还存留的草稿,我们看到弥尔顿将这部要写的悲剧命名为,《乐园》,在另外一些草稿又叫做《亚当乐园》

It would seem that the Elder Brother and his sister were way too optimistic in their assessment of the protected status of the virtuous poet and the protected status of the virgin, the favored role of the poet. Virginity does nothing.

似乎《科玛斯》哥哥和他的妹妹认为,贞洁的诗人,未童真的诗人自然会受到保护,的想法太过乐观了,贞洁无能为力。

The extent to which Milton succeeds in justifying such a God in Paradise Lost will be, of course, one of the questions that we will be exploring over the next couple of weeks. So You will read for Wednesday's class the first two books of Paradise Lost.

乐园弥尔顿成功地证实了,这样一个上帝,扩展出了一个我们下几周要研究的一个问题,所以在周三前阅读乐园的前两部。

That Satan is still able to doubt the legitimacy of God's power is a testimony to the complexity, I think, of the analysis of power in Paradise Lost. No power, not even God's power, can be irresistibly and indisputably proven.

我认为,撒旦尚能怀疑上帝力量的正统性,就证明了,《乐园》对力量的分析的复杂性,即使是上帝的力量,也不能被不可抗拒,无可置疑的证明。

I don't know who came up with this statistic but I love it: nearly three out of every five lines in Paradise Lost are enjambed - they embrace the practice of enjambment. The meaning or the sense of a verse paragraph is diffused throughout a series of lines.

不知道是谁得出这个数字,但我很喜欢:,《乐园》将近五分之三的诗句是连结的,-它们全都连结在一起,一段诗的意思或感觉,贯穿在这段诗的一系列诗句当

In the invocation to Book Nine of Paradise Lost, Milton describes and it's wonderful to see this representation of this process that, I think, we've been wondering about he describes the process by which the heavenly muse inspires, and he says inspires nightly, the composition of his epic.

在《乐园》第九卷,弥尔顿描绘了,看到弥尔顿对这一过程的描述很是奇妙,我们都对这一过程很好奇,弥尔顿描绘了天神缪斯启示他,他说是在晚上启示的,启示他写作史诗的过程。

It goes without saying that these are questions that it's impossible for us to try to answer certainly now, but Milton lets us know later in Paradise Lost that Satan was wrong to embark on his dangerous deconstruction of divine power.

毫无疑问,这些问题,我们现在无法给出确切回答,但弥尔顿后来在《乐园》告诉我们,撒旦,想要毁灭神权力量的危险行动是错误的。

That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.

让我们来设想一下其的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《乐园》引经据典,并将这些以多种方式组合,这在《乐园》随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。

中失的网络释义

很抱歉,暂无字的网络释义。

以上关于中失的英语翻译来自英汉大词典,希望对您学习中失的英语有帮助。